#Twitch arcadegeddon series

Up for four players can group up and take on a run, with the game also encouraging a competitive edge by way of rewarding each round’s MVP and implementing PvP mini-games, which see players periodically taking on one another in brief free-for-all modes.

#Twitch arcadegeddon series

As a result, as the difficulty level ramps up, so too do the number of enemies, leading to spectacular combos and screens exploding with color as the body count rises.Īrcadegeddon is a third-person shooter and roguelite, with players embarking on runs through a series of stages that will see them armed with increasingly over-the-top weaponry fired at increasingly powerful enemies. The killbots we fight aren’t built to strategically outmaneuver us, but rather to overwhelm us into submission. Bright neon environments and a pumping trap soundtrack complement chaotic gunplay, as my co-op partners and I mow down robotic enemies who explode into gushes of pink liquid with little resistance. Want more video interviews like this? Be sure to check our Shacknews and GamerHubTV YouTube channels where you’ll find our interviews, reviews, gameplay, unboxing and more video content on the latest video games, technology, and toys.Arcadegeddonis visually and aurally overwhelming. Where previous games admittedly threw players into the deep end feet first, IllFonic now has the benefit of considering the shortcomings of its previous titles and making Arcadegeddon a more polished and casual-friendly experience. It also helps that as IllFonic has grown its playerbase, it has grown its team and budget as well. If someone is nowhere near mastering the game, they can still have a good time playing the game and learning to get better. To that end, a core philosophy of Arcadegeddon was that the team wanted it to be an easy-to-pick-up, hard-to-master experience. The team doesn’t necessarily want new players to not be able to pick up these games and play if they haven’t been along since day one, but it also wants to reward those who have been in for the long haul. In that way, it’s hardcore and can be daunting to newcomers. Predator: Hunting Grounds was definitely a game that catered to players who played it a lot and leveled up to get its best tools. He shares what the team learned about balancing in an asymmetrical game, especially when it comes to keeping the monster from being too easy to kill without making them ridiculously overpowered. Gerritzen also spoke to the evolution of the studio across games. They would take the lessons and move on to launch Predator: Hunting Grounds and develop the upcoming co-op game Arcadegeddon. When it comes to the fate of Friday the 13th, Brungardt says the decision was Gun Media's as the publisher of the game. For Brungardt, it was a learning experience and the shutdown of F13 did little to affect the IllFonic studio.

There were a lot of valuable lessons in IllFonic's previous games and, recently, CEO Charles Brungardt and Head of Creative Jared Gerritzen sat down with us to talk about how those lessons are being applied to Arcadegeddon.

Between Friday the 13th: The Game and Predator: Hunting Grounds, it has tackled some beloved franchises, but has now moved on to developing its own IP with Arcadegeddon. IllFonic is building quite a catalogue for itself.